Posted by: greercn | July 27, 2017


All 106 minutes of Christopher Nolan’s extraordinary movie attack your ears and eyes. With few words, you are swept on and off the beach, water and air.

It’s like being on one of the crazier Disney rides. Only after you have left the cinema do you reclaim your normal breathing and ask yourself questions.

Where are the French? At least they are hinted at. The Germans are planes, bombs and absence.

Even the Belgians fare better than the women. Did you know that military telephonists – all women – were among the last to be evacuated from Dunkirk’s beach?

According to this, it’s a gathering of men. There are no women at all in the acting credits.

World War 2: I am just plain sick to death of you being present in just about every movie I watch. WW2 fatigue is a thing and I have it. With so much war in the world, you’d think current events might make it onto the big screen?

Having said that out loud, this is lavish and starry. You get Mark Rylance, Tom Hardy and Cillian Murphy in key roles. Michael Caine’s voice gives information and instruction to the pilots in the sky.

And Harry Styles is credible, in that I didn’t recognise it was him, at all.

A whole bunch of very talented actors have key moments. It all runs at a breathless pace and faster than you can say Hans Zimmer (who wrote the slightly intrusive music) and Hoyte Van Hoytema (cinematographer), you’re left wanting more. As a bonus, you’re bottom isn’t numb.

It was a very full Stratford East Picturehouse and the only sound you heard was me, squeaking “ooh, Michael Caine’s voice” and I was, quite correctly, shushed.

There is lots to challenge here, historically and structurally. But you will enjoy it, while it’s on the big screen. It’s original, stylish and offers a new approach to the genre of war movie. Even if, like me, you’ve had enough of WW2 this summer to last you a lifetime.

Posted by: greercn | June 15, 2017

Wonder Woman

Pacifist, female-centred and very entertaining, DC has finally made a film that challenges the dominance of Marvel, in the comics translated to live action genre.

You get three movies in one. Wonder Woman’s early years are shown as part of an idyllic female-only land of Themyscira. Connie Nielsen and Robin Wright are here and both are very good.

Lilly Aspell and Emily Carey are outstanding as the young Diana and smooth the transition to Gal Gadot as the adult Wonder Woman.

The accents of the adults are all over the place and I found this irritating.

Once Chris Pine’s Steve Trevor crashes into the world of women, Diana decides to go fight war. The next section is set in London.

Then, we are off to occupied Belgium during WW1. Sidekicks played by Said Taghmaoui, Ewen Bremner and Eugene Brave Rock add laughter and thoughtful comments.

Elena Anaya is moving and sinister, in a smaller part.

Patty Jenkins directs a cast that is so enormous that it took me a second viewing to tell everyone apart. It feels radical to see a comic hero story based on a strong woman. This will lift the aspirations of younger women and that’s an unusual achievement.

It’s a shame it’s all written by men, but you can’t have everything. Could I hope that the sequel will be written by women?

The very-packed Stratford East Picturehouse audience all loved it and there were far more women present than is usual for new films.

Much will be written about the feminism, science and poison research, political decisions and war. Each is worthy of a long piece of writing.

I have a few issues. The costumes seem to owe more to “Xena: Warrior Princess” and to “Game of Thrones” than they do to traditional and modern reworkings of “Wonder Woman”.

In addition, the decision to relocate the action to World War One creates problems, for me. The most famous Wonder Woman stories featured World War Two.

And that Belgian village is clearly in England. You can CGI scenes with a heavy hand but you still can’t disguise locations.

It’s the first of a new franchise and it’s setting up a whole raft of situations. I am willing to give the sequel a chance. You don’t get enough messages that are kind and aspirational for women and I welcome the ideas here, even if the reality occasionally feels crowded, clunky, male-written and overly dependent on technology.

Posted by: greercn | June 15, 2017

The Other Side Of Hope (Toivon Tuolla Puolen)

Funny, tragic and utterly moving, Finnish director Aki Kaurismaki has made another terrific film.

How can a story about a Syrian refugee, seeking asylum in Finland and his meeting a salesman turned restaurant owner be so extraordinary and compelling to watch?

It’s certainly not because of the soundtrack, although the music fits the story.

“Le Havre” is one of the best films I have ever seen. This new Kaurismaki tale shifts straight to the best film of the year position, in my view.

Two excellent performances from Sherwan Haji and Sakari Kuosmanen kept my attention throughout. I actually forgot it was subtitled as so much of what happens is communicated through looks and movements.

As the screening ended at Stratford East Picturehouse, everyone looked happy and thoughtful. All the comments I heard were positive and that’s very unusual.

Don’t read too much about it. I knew very little so the story just unfolded in a thoroughly magical way.

Images from this are staying with me. See it. It’s original, fantastic and timely.

Posted by: greercn | June 15, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

POTC5 (to keep it simple) is also known as Salazar’s Revenge. Salazar and the Dead Men should have been in a much shorter and better film.

There are three possible reasons you might see this:

1) Your name is Depp or you’re part of his family.

2) You have seen all the other instalments in this franchise and you wish to complete viewing the set.

3) Disney can do no wrong, in your view.

It starts well. A terrific chase scene is followed by fights at sea.

Then, it just goes on and on, covering old ground without any real progress. Tangents are followed and odd rehashings of the past films form most of the plot.

The last 20 minutes appear to be tacked on as an afterthought.

At two hours and nine minutes, it feels much too long. Kaya Scodelario and Golshifteh Farahani add great scenes, but their presence seems to say “women can save this movie”. They can’t and they don’t.

Geoffrey Rush, Javier Bardem and Paul McCartney appear to be in an entirely different and far more compelling film.

We are promised this is the last in the franchise. Please, let this be true.

Johnny Depp’s Captain Sparrow is at the heart of this and he is in almost every scene. By the end of the first hour, he looks like he’d welcome a quick hanging.

Depp’s energy is key to the success of “POTC”. Too often, that energy flags and your attention wanders away.

The Stratford East Picturehouse audience seemed restless. Did anyone out there enjoy watching this?

It’s possible that this might work better on a small screen. I might try to watch it again, when it is shown on TV.

Posted by: greercn | May 20, 2017


If you loved those old cop shows that had their heyday in the 1970s, you’ll adore this. It has a lot of fun with the concepts of detective on TV, technology, cars, sidekicks and the women who featured in these shows. Hint: Few Nobel prizewinners were characters.

Set on the Isle of Man and featuring some of the team from The Mighty Boosh, I laughed a very great deal. “Mindhorn” is hilarious.

Years after the fictional show “Mindhorn” ended, the washed-up actor who played him is called in by the Isle of Man police. A serial killer is on the loose and he believes that Mindhorn is a real person.

With great reluctance, the police call in the actor who played Mindhorn.

The fictional detective had a surgically-attached eye that could tell the truth.

Julian Barratt stars in this and he co-writes, along with co-star Simon Farnaby. Barratt is in every scene and he manages the neat trick of taking himself very seriously while being utterly hilarious.

You get Kenneth Branagh, Simon Callow and David Hasselhoff, in smaller parts. Steve Coogan, Essie Davis and Andrea Riseborough all bring style and humour to this terrific ensemble.

If you loved “Bergerac”, “Starsky and Hutch”, “The Six Million Dollar Man” and “Knight Rider”, you’ll find much to enjoy here. And if you hated the genre, you’ll enjoy seeing it made fun of.

Sean Foley directs and it all passes very entertainingly, with scenes that whoosh past.

The Stratford East Picturehouse wasn’t very full, but we all laughed enough to fill the room. It’s a refreshing 89 minutes long and squeezes much originality and cheesy reminiscence into its time.

I really enjoyed it. You will too.

Do stay after the credits to get the Mindhorn detective’s “hit” single (in Europe) titled “(You Can’t) Handcuff The Wind”. Or, just watch that song on YouTube.

More movies should be set on the Isle of Man. It’s beautiful.

Posted by: greercn | May 20, 2017

Guardians of the Galaxy Vol. 2

Everyone is back and a whole load of new characters join this. You may get confused as you attempt to keep up with who’s who.

The adorable Groot has a different form, but is still voiced by Vin Diesel and retains that “I am Groot” catchphrase.

Star-Lord, Gamora, Drax, Rocket and baby Groot bring new charm to the sequel. The original 2014 film offered unexpected Marvel pleasures so this movie comes with great expectations.

Is it as good as that? Yes and no.

Special effects and fight scenes ratchet up the tension and the visual joy. New information on the history of each character adds depth.

However, as a staff member at Stratford East Picturehouse said, none of this really moves the Guardians forward in their story.

It feels a little too long at two hours and 16 minutes. I peeked at my watch a couple of times.

Having “Vol 2” in the title really annoys me and I made a funny clucking sound as I typed it.

Overall, it’s an attempt to make a big blockbuster out of a small story. Therefore, that intimate feel I love about the Marvel comics feels lost in the attempt to make everything big and important.

Stan Lee’s cameo is one of his best. The music will all feel familiar and comforting to those of us who grew up with Marvel.

I liked it but I wasn’t as wowed by it as I was by “Guardians”. Lots of stars have super moments, but I never experienced that warm and fuzzy feeling that was part of watching “Guardians” in 2014.

Stratford East Picturehouse was full of people who clearly loved it, unconditionally.

I have now reached the milestone of 620 reviews on this blog. When I started it in late 2009, I gave it a year. It’s provided me with so many great contacts, new friends and delightful experiences.

It makes me a bit sad that the dear friend who encouraged me start doing this died in 2010. Thank you, Ken d’Albenas. We’ll never have that experience of wrestling with Zimmer frames in the home for old folks that we used to joke about. You taught me so much and I am grateful that I knew you so well and for so long.

Posted by: greercn | April 27, 2017

Their Finest

Gemma Arterton finally gets a movie role that allows her to glow in and to own every scene. She shows such fire and dignity that you never take your eyes off her.

Sam Claflin is very moving and different from how we have seen him before. Bill Nighy is funny, driven and utterly convincing.

The story is set in World War 2. Arterton plays Catrin Cole who is brought into writing film dialogue aimed at women. The goal is to get American women to convince their men to join in the war.

Based on a book titled “Their Finest Hour And A Half”, this story could have been slimmed down to the standard 90 minutes of 1940s films.

Much of it is directed crisply, but Lone Scherfig permits a few scenes to linger a few minutes past their ideal length. Those scenes about Cole’s marriage added little to the tale.

Jeremy Irons and Rachael Stirling have great moments. Henry Goodman and Eddie Marsan lift the comedy level and make the shocking twists all the more startling.

It’s a terrific ensemble. There are a few continuity glitches in the 1940s sets – some windows and clothes are just too modern – but the old device of setting a film within a film allows the viewer to appreciate the contribution of the women of World War 2.

Deft points are made about propaganda and its impact.

Stratford East Picturehouse was very full and the viewers enjoyed it, although I noticed they got restless at the same times I started stretching and peeking at my watch.

The friend I went with enjoyed it unconditionally and does not share my doubts.

Arterton is now a big star and I will go see anything she is in. The success of “Their Finest” proves that we have a limitless appetite for movies about World War 2.

Posted by: greercn | April 27, 2017

The Fate Of The Furious (Fast and Furious 8)

People who do the stunts are the real heroes of this franchise.

Either you love these movies or you wish to ignore them. There is no middle ground on this.

I adore each one and look forward to the next. Vin Diesel still convinces as an action hero. Dwayne “The Rock” Johnson and Jason Statham bring a new energy and life to these stories of outlaw gangs with fast cars.

Charlize Theron is a very engaging villain. She makes corny lines become dramatic threats.

Kurt Russell and Scott Eastwood shine as the lawmen and Nathalie Emmanuel has a few lovely moments.

F. Gary Gray brings high-octane energy to directing and he manages to keep all the key elements, while giving it all a new twist.

Stratford East Picturehouse was packed, even during the third week of FF8’s release.

Of course, it’s all preposterous. From the street race in Cuba through to the Arctic chase, nothing makes sense.

Suspend your logical and critical facilities. Sit through the endless list of those who did the stunts and the special effects.

I love it and can hardly wait for FF9. The homage to Paul Walker here is dignified and catches you by surprise.

The team making this keep it all zipping along. And the music is terrific.

Posted by: greercn | April 27, 2017

The Boss Baby

Alec Baldwin brings his distinctive voice to this animated tale of sibling rivalry and management techniques.

The story is about how young Tim gets a new brother who is a fully-formed manager, complete with suit and briefcase. His parents don’t see the baby as a threat. But Tim sees danger in this new member of the family.

There are insights into family dynamics and sibling rivalry and there are deft swipes at the language of business.

I laughed a lot. Even the fart joke is very funny.

The disruptions brought by a new baby, pictures of adorable puppies and Elvis impersonators form the basis of the plot.

Don’t look for depth, here. It’s another of those animations that the adults will get more out of than the kids.

At just over an hour and a half, it’s delightful. Everyone at Stratford East Picturehouse was smiling and laughing.

It might be too much for the youngest children, but older kids will appreciate the humour and style of this. DreamWorks has made a very enjoyable film with great characters and positive messages.

Posted by: greercn | April 27, 2017

The Lost City of Z

Z, when there are several of them, means sleeping and you might find yourself snoozing at times during this much too long movie.

It’s all very beautiful and the images shimmer with light. But that’s not enough to keep your attention from wandering.

The story should have engaged my emotions more than it did. Real-life Amazon explorer Percy Fawcett (Charlie Hunnam) becomes convinced that an advanced civilisation can be found in South America. Hunnam brings physical energy to the part and the movie starts well.

Sienna Miller plays the wife he leaves behind, for years at a time, in the early 20th century. We keep being told how strong she is. Most of the time, she just waits at home.

Occasionally, she gets a line or a part of a scene.

But this tale is all about the boys who were the early explorers. Robert Pattinson gets a few interesting moments but the whole show is stolen by veteran actor Franco Nero. I wish he had been on screen for longer.

Early exploration of the Amazon must have been a lot more compelling than it looks here.

Period detail is deftly done, but the slowness of the pace may dull your interest.

I’d actually like to see this on TV. I think it might be a much better movie, on a smaller screen.

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